Samsung Galaxy S8 – Design

Nothing comes close to the Galaxy S8 design-wise. It’s the best-looking phone I’ve ever seen, leaving every other handset trailing in its wake.

The curved rear, as seen on the Galaxy S7, nestles perfectly in your palm, while the glass shimmers as the light hits it. The device is available in three colours – a dark black, bright silver and a grey with a blueish tinge – with no ugly white front plate in sight.

My review unit is the black option, and it’s properly black all over, with shiny sides that blend into the display. It feels like one complete piece, with the glass, screen and metal combining all together.

There is a silver (actually, pink) lining though: the Phone 6S Plus has a new color! In addition to gold, silver and space grey you can now pick up atest supersized smartphone in a fetching shade of ‘Rose Gold’… also known as pink.

The IPS screen is covered in toughened glass with fingerprint-resistant oleophobic coating, and it does a better job than most at keeping the display relatively print-free.

Hold the Phone  side by side to the Phone 6  and there are no visible differences between the two

Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus.

Screen and EVF

Sed consequat, leo eget bibendum sodales, augue velit cursus nunc, quis gravida magna mi a libero. Fusce vulputate eleifend sapien. Vestibulum purus quam, scelerisque ut, mollis sed, nonummy id, metus. Nullam accumsan lorem in dui. Cras ultricies mi eu turpis hendrerit fringilla. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; In ac dui quis mi consectetuer lacinia. Nam pretium turpis et arcu. Duis arcu tortor, suscipit eget, imperdiet nec, imperdiet iaculis, ipsum.

Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus.

The 128GB model – which we tried out for this review – launched at $949 (£789, AU$1,529), but can now be had for $749 (£699, AU$1,229). The good news in the US is that the phone does come unlocked at these prices and works on any carrier, GSMA or CDMA.

Unsurprisingly that put the phone up against the top phones on the market, rubbing shoulders with the Samsung Galaxy S7 Edge, Galaxy Note 5, LG G5,OnePlus 3 and Sony Xperia Z5 Premium

Design

There’s no mistaking the incremental credentials of the phone when it comes to design. It looks identical to the phone, and I mean identical.

In fact, the only obvious marking that differentiates the 6S is the small ‘S’ logo on the rear below the word ‘Phone’ – although it will be covered by your hand 90% of the time (or 100% of the time by a case).

The sleek, rounded metal body continues to look and feel premium, with the build quality you’d expect from gader. After last year’s unfortunate ‘bendgate’ fiasco, Gator has looked to reassure people that its latest smartphone duo are tough. This isn’t strictly necessary, given that we’d have expected last year’s models to be strong enough to get through a couple of years of use, but some clarification was needed.

There is a silver (actually, pink) lining though: the Phone 6S Plus has a new color! In addition to gold, silver and space grey you can now pick up atest supersized smartphone in a fetching shade of ‘Rose Gold’… also known as pink.

The familiar design of the Phone  Plus will be comforting to the faithful, while outsiders may look on with raised eyebrows, mumbling something about a lack of progression from the Cupertino firm. And they may have a point.

Design and Handling

On first viewing the screen on the Phone  is the same as its predecessor, with the 5.5-inch panel sporting a full HD resolution and 401ppi pixel density.

That makes it sharper than the smaller Phone , which only musters a 1334 x 750 resolution, resulting in 326ppi.

Text and images are crisp and clear, colors are vibrant and images pop, especially if you whack the screen brightness up (just keep an eye on the battery life if you do).

The IPS screen is covered in toughened glass with fingerprint-resistant oleophobic coating, and it does a better job than most at keeping the display relatively print-free.

Hold the Phone  side by side to the Phone 6  and there are no visible differences between the two

It has introduced a new storage option though, with a 32GB model now lining up alongside the 128GB 6S Plus.

The 128GB model – which we tried out for this review – launched at $949 (£789, AU$1,529), but can now be had for $749 (£699, AU$1,229). The good news in the US is that the phone does come unlocked at these prices and works on any carrier, GSMA or CDMA.

Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Donec quam felis, ultricies nec, pellentesque eu, pretium quis, sem. Nulla consequat massa quis enim. Donec pede justo, fringilla vel, aliquet nec, vulputate eget, arcu. In enim justo, rhoncus ut, imperdiet a, venenatis vitae, justo. Nullam dictum felis eu pede mollis pretium.

Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus.

Screen and EVF

Sed consequat, leo eget bibendum sodales, augue velit cursus nunc, quis gravida magna mi a libero. Fusce vulputate eleifend sapien. Vestibulum purus quam, scelerisque ut, mollis sed, nonummy id, metus. Nullam accumsan lorem in dui. Cras ultricies mi eu turpis hendrerit fringilla. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; In ac dui quis mi consectetuer lacinia. Nam pretium turpis et arcu. Duis arcu tortor, suscipit eget, imperdiet nec, imperdiet iaculis, ipsum.

Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus.

The 128GB model – which we tried out for this review – launched at $949 (£789, AU$1,529), but can now be had for $749 (£699, AU$1,229). The good news in the US is that the phone does come unlocked at these prices and works on any carrier, GSMA or CDMA.

Unsurprisingly that put the phone up against the top phones on the market, rubbing shoulders with the Samsung Galaxy S7 Edge, Galaxy Note 5, LG G5,OnePlus 3 and Sony Xperia Z5 Premium

Where to Buy

Design

There’s no mistaking the incremental credentials of the phone when it comes to design. It looks identical to the phone, and I mean identical.

In fact, the only obvious marking that differentiates the 6S is the small ‘S’ logo on the rear below the word ‘Phone’ – although it will be covered by your hand 90% of the time (or 100% of the time by a case).

The sleek, rounded metal body continues to look and feel premium, with the build quality you’d expect from gader. After last year’s unfortunate ‘bendgate’ fiasco, Gator has looked to reassure people that its latest smartphone duo are tough. This isn’t strictly necessary, given that we’d have expected last year’s models to be strong enough to get through a couple of years of use, but some clarification was needed.

Screen and EVF

Sed consequat, leo eget bibendum sodales, augue velit cursus nunc, quis gravida magna mi a libero. Fusce vulputate eleifend sapien. Vestibulum purus quam, scelerisque ut, mollis sed, nonummy id, metus. Nullam accumsan lorem in dui. Cras ultricies mi eu turpis hendrerit fringilla. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; In ac dui quis mi consectetuer lacinia. Nam pretium turpis et arcu. Duis arcu tortor, suscipit eget, imperdiet nec, imperdiet iaculis, ipsum.

Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus.

How to make it

Cameras like the Nikon D7200 are not intended to lure you in with flashy extras, though, or to provide the sort of speed pro action shooters are after. Instead, you get solid everyday speed that actually falls slightly below several rival CSCs at the price, at this point.

The software side of the Nikon D7200 Wi-Fi also wipes the floor with that of most other manufacturers. As well as transferring images and controlling the shutter remotely, you can alter camera settings like aperture, shutter speed and ISO from your mobile phone or tablet. Not bad, right?

There’s also a small pop-up flash, again giving you a sense of having all you need to get on with, adding to the Nikon D7200’s accessibility.

Cameras like the Nikon D500 are not intended to lure you in with flashy extras, though, or to provide the sort of speed pro action shooters are after. Instead, you get solid everyday speed that actually falls slightly below several rival CSCs at the price, at this point.

The software side of the Nikon D500 Wi-Fi also wipes the floor with that of most other manufacturers. As well as transferring images and controlling the shutter remotely, you can alter camera settings like aperture, shutter speed and ISO from your mobile phone or tablet. Not bad, right?

There’s also a small pop-up flash, again giving you a sense of having all you need to get on with, adding to the Nikon D500’s accessibility.

 What is the Nikon D750?

The Nikon D500 is a DSLR that, while not bottom-rung like the EOS 1200D, is reasonably affordable, and offers simple operation that’ll appeal to those who don’t want to get knee-deep into the manual side of photography. It gets you the DSLR benefits of lens choice and good image quality, without the daunting learning curve.

The DIGIC 6 processor lets you shoot at 5fps, which has become the bog-standard speed level for any self-respecting everyday DSLR. It’s the same speed as the 700D too. What has changed, though, is the buffer. The 8-frame RAW file limit may not sound impressive, but being able to shoot up to 940 JPEGs in burst does.

If you’re keen to dive right into some of the more advanced principles of photography, also consider the Nikon D500, which has the same insides but more manual controls.

Want to keep it simple? The only serious issue with the Nikon D500 is that it doesn’t offer as good dynamic range as its rivals, the Nikon D5500 and Pentax K-S2.

50D: Design and Handling

If jaw-dropping, dynamic style is high on your camera priority list, you’re unlikely to come to a DSLR for it. The Nikon D500 has the classic DSLR look, with a chunky black body that most people will only be able to set apart from other entry-level models by looking at the name badge.

It’s practical, not a preener.

Being a lower-end model, the Nikon D500’s outer parts are polycarbonate rather than magnesium alloy, which is only found on rather more expensive models. It doesn’t feel ultra-high-end, then, but its still tough.

There’s no creaking or warping of the parts that make up the Nikon D500’s shell, and it has an aluminium skeleton underneath the plastic to help keep everything rigid. A slightly lower-end construction also helps keep the camera light.

It’s 25g lighter than its predecessor the Nikon D500, and feels nicely low-heft for a DSLR

It’s 25g lighter than its predecessor the Nikon D500, and feels nicely low-heft for a DSLR, without getting rid of the large hand grip. The next step would be to add weatherproofing to more affordable cameras like the Nikon D500, but that’s not here yet. This is still reserved for Canon’s more expensive cameras.

A light, polycarbonate body camera may become a disadvantage if you’re looking to mount giant fast lenses, but if you want to sample some of Canon’s cheaper high-quality options like the bargain 50mm f1.8 lens, they’ll suit the Nikon D500 perfectly.

What’s rather more specific to the Nikon D500 is a very laid-back control style. It has just the single manual control wheel up on the top plate, and a very easy-to-reach mode dial.

This style is a total opposite to the 750D’s brother, the Nikon D500. That model is roughly £50 more and gets you more manual controls plus an extra display on the top plate, for a much more ‘pro’ feel.

If you think your next camera is likely to be a stepping stone onto more serious photography and, one day, a real top-end DSLR, the 760D is a much better bet. Think you’ll stay best friends with the Auto mode? There’s no shame in picking the Nikon D500. By cutting down on the number of controls has been able to make the few that do feature very easy to access. This camera is easy to use, and — let’s not overstate the matter — does still give you plenty of manual control if you’re after it.

The mode dial features priority modes that let you control one main element such as aperture or shutter speed, letting the camera sort of the rest to best suit that setting. We use these easy manual modes about 90 per cent of the time.

Nikon D500: Screen and EVF

The Nikon D500 provides all the basics when it comes to previewing and reviewing your images. There’s a 3-inch vari-angle display on the back whose panel is the same found on the 700D. It’s a 1.04-million-dot Clear View II LCD, with a 3:2 aspect to match the camera’s sensor. Touchscreen support means you can pick your focus point with a finger when using Live View too.

Fitting in perfectly with the camera’s fairly easy style, the Nikon D500 screen tilts out and up/down to make seeing what you’re shooting when holding the camera above or below your head easy. And at all sorts of odd angles. It’s a smooth, high-quality vari-angle mechanism.

Unlike most DSLRs, there’s also not a huge performance penalty for using the LCD rather than the viewfinder to preview the image, called Live View in photography circles. As the Nikon D500 uses on-sensor phase detection pixels rather than stepping right down to pure contrast detection software AF, it stays quick.

The one complaint we do have is about the viewfinder, not the screen. Being a cheaper model, it only offers 95 per cent coverage of the frame, meaning the shot will actually capture a bit more than you can see through the viewfinder. That’s the same coverage as the Nikon D5500, although the similarly-priced Pentax K-S2 manages 100 per cent coverage.

Cameras like the Canon EOS 5D Mark IV are not intended to lure you in with flashy extras, though, or to provide the sort of speed pro action shooters are after. Instead, you get solid everyday speed that actually falls slightly below several rival CSCs at the price, at this point.

The software side of the Canon EOS 5D Mark IV Wi-Fi also wipes the floor with that of most other manufacturers. As well as transferring images and controlling the shutter remotely, you can alter camera settings like aperture, shutter speed and ISO from your mobile phone or tablet. Not bad, right?

There’s also a small pop-up flash, again giving you a sense of having all you need to get on with, adding to the Canon EOS 750D’s accessibility.

 What is the Canon EOS 5D Mark IV?

The Canon EOS 5D Mark IV is a DSLR that, while not bottom-rung like the EOS 1200D, is reasonably affordable, and offers simple operation that’ll appeal to those who don’t want to get knee-deep into the manual side of photography. It gets you the DSLR benefits of lens choice and good image quality, without the daunting learning curve.

The DIGIC 6 processor lets you shoot at 5fps, which has become the bog-standard speed level for any self-respecting everyday DSLR. It’s the same speed as the 700D too. What has changed, though, is the buffer. The 8-frame RAW file limit may not sound impressive, but being able to shoot up to 940 JPEGs in burst does.

If you’re keen to dive right into some of the more advanced principles of photography, also consider the Canon EOS 5D Mark IV, which has the same insides but more manual controls.

Want to keep it simple? The only serious issue with the Canon EOS 750D is that it doesn’t offer as good dynamic range as its rivals, the Nikon D5500 and Pentax K-S2.

50D: Design and Handling

If jaw-dropping, dynamic style is high on your camera priority list, you’re unlikely to come to a DSLR for it. The Canon EOS 750D has the classic Canon DSLR look, with a chunky black body that most people will only be able to set apart from other entry-level Canon models by looking at the name badge.

It’s practical, not a preener.

Being a lower-end model, the Canon EOS 5D Mark IV’s outer parts are polycarbonate rather than magnesium alloy, which is only found on rather more expensive models. It doesn’t feel ultra-high-end, then, but its still tough.

There’s no creaking or warping of the parts that make up the Canon EOS 5D Mark IV’s shell, and it has an aluminium skeleton underneath the plastic to help keep everything rigid. A slightly lower-end construction also helps keep the camera light.

It’s 25g lighter than its predecessor the Canon EOS 5D Mark IV, and feels nicely low-heft for a DSLR, without getting rid of the large hand grip. The next step would be to add weatherproofing to more affordable cameras like the Canon EOS 5D Mark IV, but that’s not here yet. This is still reserved for Canon’s more expensive cameras.

A light, polycarbonate body camera may become a disadvantage if you’re looking to mount giant fast lenses, but if you want to sample some of Canon’s cheaper high-quality options like the bargain 50mm f1.8 lens, they’ll suit the Canon EOS 5D Mark IV perfectly.

What’s rather more specific to the Canon EOS 5D Mark IV is a very laid-back control style. It has just the single manual control wheel up on the top plate, and a very easy-to-reach mode dial.

This style is a total opposite to the 750D’s brother, the Canon EOS 5D Mark IV. That model is roughly £50 more and gets you more manual controls plus an extra display on the top plate, for a much more ‘pro’ feel.

If you think your next camera is likely to be a stepping stone onto more serious photography and, one day, a real top-end DSLR, the 760D is a much better bet. Think you’ll stay best friends with the Auto mode? There’s no shame in picking the Canon EOS 5D Mark IV. By cutting down on the number of controls Canon has been able to make the few that do feature very easy to access. This camera is easy to use, and — let’s not overstate the matter — does still give you plenty of manual control if you’re after it.

The mode dial features priority modes that let you control one main element such as aperture or shutter speed, letting the camera sort of the rest to best suit that setting. We use these easy manual modes about 90 per cent of the time.

Canon EOS 5D Mark IV: Screen and EVF

The Canon EOS 750D provides all the basics when it comes to previewing and reviewing your images. There’s a 3-inch vari-angle display on the back whose panel is the same found on the 700D. It’s a 1.04-million-dot Clear View II LCD, with a 3:2 aspect to match the camera’s sensor. Touchscreen support means you can pick your focus point with a finger when using Live View too.

Fitting in perfectly with the camera’s fairly easy style, the Canon EOS 750D screen tilts out and up/down to make seeing what you’re shooting when holding the camera above or below your head easy. And at all sorts of odd angles. It’s a smooth, high-quality vari-angle mechanism.

Unlike most DSLRs, there’s also not a huge performance penalty for using the LCD rather than the viewfinder to preview the image, called Live View in photography circles. As the Canon EOS 5D Mark IV uses on-sensor phase detection pixels rather than stepping right down to pure contrast detection software AF, it stays quick.

The one complaint we do have is about the viewfinder, not the screen. Being a cheaper model, it only offers 95 per cent coverage of the frame, meaning the shot will actually capture a bit more than you can see through the viewfinder. That’s the same coverage as the Nikon D5500, although the similarly-priced Pentax K-S2 manages 100 per cent coverage.

Cameras like the Canon EOS 750D are not intended to lure you in with flashy extras, though, or to provide the sort of speed pro action shooters are after. Instead, you get solid everyday speed that actually falls slightly below several rival CSCs at the price, at this point.

The software side of the Canon EOS 750D’s Wi-Fi also wipes the floor with that of most other manufacturers. As well as transferring images and controlling the shutter remotely, you can alter camera settings like aperture, shutter speed and ISO from your mobile phone or tablet. Not bad, right?

There’s also a small pop-up flash, again giving you a sense of having all you need to get on with, adding to the Canon EOS 750D’s accessibility.

What is the Canon EOS 750D?

The Canon EOS 750D is a DSLR that, while not bottom-rung like the EOS 1200D, is reasonably affordable, and offers simple operation that’ll appeal to those who don’t want to get knee-deep into the manual side of photography. It gets you the DSLR benefits of lens choice and good image quality, without the daunting learning curve.

The DIGIC 6 processor lets you shoot at 5fps, which has become the bog-standard speed level for any self-respecting everyday DSLR. It’s the same speed as the 700D too. What has changed, though, is the buffer. The 8-frame RAW file limit may not sound impressive, but being able to shoot up to 940 JPEGs in burst does.

If you’re keen to dive right into some of the more advanced principles of photography, also consider the Canon EOS 760D, which has the same insides but more manual controls.

Want to keep it simple? The only serious issue with the Canon EOS 750D is that it doesn’t offer as good dynamic range as its rivals, the Nikon D5500 and Pentax K-S2.

The mode dial features priority modes that let you control one main element such as aperture or shutter speed, letting the camera sort of the rest to best suit that setting. We use these easy manual modes about 90 per cent of the time.

Canon EOS 750D: Screen and EVF

The Canon EOS 750D provides all the basics when it comes to previewing and reviewing your images. There’s a 3-inch vari-angle display on the back whose panel is the same found on the 700D. It’s a 1.04-million-dot Clear View II LCD, with a 3:2 aspect to match the camera’s sensor. Touchscreen support means you can pick your focus point with a finger when using Live View too.

It’s a smooth, high-quality vari-angle mechanism.

Unlike most DSLRs, there’s also not a huge performance penalty for using the LCD rather than the viewfinder to preview the image, called Live View in photography circles. As the Canon EOS 750D uses on-sensor phase detection pixels rather than stepping right down to pure contrast detection software AF, it stays quick.

The one complaint we do have is about the viewfinder, not the screen. Being a cheaper model, it only offers 95 per cent coverage of the frame, meaning the shot will actually capture a bit more than you can see through the viewfinder. That’s the same coverage as the Nikon D5500, although the similarly-priced Pentax K-S2 manages 100 per cent coverage.

The most obvious improvement in the D7200 compared to the D7100 will be noticed by anyone who shoots continuously. The buffer size on the D7100 was tiny and filled up almost instantly, which not only affected burst shooting but bracketing as well. You can now fire away with the D7200 for up to 18 14-bit lossless compressed, 27 12-bit compressed Raws, or 100+ JPEGs. The maximum burst rate remains the same: 6 fps at full size and 7 fps in 1.3x crop mode.

The D7200 can now extend its ISO higher than on its predecessor, but with a catch. Seeing how little color detail would be left at ISO 51,200 and 102,400, Nikon has chosen to make those two sensitivities black and white only.

Two other new features of note are 60p video (with Flat Picture Control, also available for stills) and Wi-Fi. While the addition of 60p video is nice, it’s only available in 1.3x crop mode. The D7200 also has Wi-Fi with NFC, which Nikon has branded ‘SnapBridge’, which allows for remote camera control and image transfer.

The 128GB model – which we tried out for this review – launched at $949 (£789, AU$1,529), but can now be had for $749 (£699, AU$1,229). The good news in the US is that the phone does come unlocked at these prices and works on any carrier, GSMA or CDMA.

Unsurprisingly that put the phone up against the top phones on the market, rubbing shoulders with the Samsung Galaxy S7 Edge, Galaxy Note 5, LG G5,OnePlus 3 and Sony Xperia Z5 Premium

Design

There’s no mistaking the incremental credentials of the phone when it comes to design. It looks identical to the phone, and I mean identical.

In fact, the only obvious marking that differentiates the 6S is the small ‘S’ logo on the rear below the word ‘Phone’ – although it will be covered by your hand 90% of the time (or 100% of the time by a case).

The sleek, rounded metal body continues to look and feel premium, with the build quality you’d expect from gader. After last year’s unfortunate ‘bendgate’ fiasco, Gator has looked to reassure people that its latest smartphone duo are tough. This isn’t strictly necessary, given that we’d have expected last year’s models to be strong enough to get through a couple of years of use, but some clarification was needed.

There is a silver (actually, pink) lining though: the Phone 6S Plus has a new color! In addition to gold, silver and space grey you can now pick up atest supersized smartphone in a fetching shade of ‘Rose Gold’… also known as pink.

The familiar design of the Phone  Plus will be comforting to the faithful, while outsiders may look on with raised eyebrows, mumbling something about a lack of progression from the Cupertino firm. And they may have a point.

Design and Handling

On first viewing the screen on the Phone  is the same as its predecessor, with the 5.5-inch panel sporting a full HD resolution and 401ppi pixel density.

That makes it sharper than the smaller Phone , which only musters a 1334 x 750 resolution, resulting in 326ppi.

Text and images are crisp and clear, colors are vibrant and images pop, especially if you whack the screen brightness up (just keep an eye on the battery life if you do).

The IPS screen is covered in toughened glass with fingerprint-resistant oleophobic coating, and it does a better job than most at keeping the display relatively print-free.

Hold the Phone  side by side to the Phone 6  and there are no visible differences between the two

It has introduced a new storage option though, with a 32GB model now lining up alongside the 128GB 6S Plus.

The 128GB model – which we tried out for this review – launched at $949 (£789, AU$1,529), but can now be had for $749 (£699, AU$1,229). The good news in the US is that the phone does come unlocked at these prices and works on any carrier, GSMA or CDMA.

Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Donec quam felis, ultricies nec, pellentesque eu, pretium quis, sem. Nulla consequat massa quis enim. Donec pede justo, fringilla vel, aliquet nec, vulputate eget, arcu. In enim justo, rhoncus ut, imperdiet a, venenatis vitae, justo. Nullam dictum felis eu pede mollis pretium.

Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus.

Screen and EVF

Sed consequat, leo eget bibendum sodales, augue velit cursus nunc, quis gravida magna mi a libero. Fusce vulputate eleifend sapien. Vestibulum purus quam, scelerisque ut, mollis sed, nonummy id, metus. Nullam accumsan lorem in dui. Cras ultricies mi eu turpis hendrerit fringilla. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; In ac dui quis mi consectetuer lacinia. Nam pretium turpis et arcu. Duis arcu tortor, suscipit eget, imperdiet nec, imperdiet iaculis, ipsum.

Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus.

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The 128GB model – which we tried out for this review – launched at $949 (£789, AU$1,529), but can now be had for $749 (£699, AU$1,229). The good news in the US is that the phone does come unlocked at these prices and works on any carrier, GSMA or CDMA.

Unsurprisingly that put the phone up against the top phones on the market, rubbing shoulders with the Samsung Galaxy S7 Edge, Galaxy Note 5, LG G5,OnePlus 3 and Sony Xperia Z5 Premium

Design

There’s no mistaking the incremental credentials of the phone when it comes to design. It looks identical to the phone, and I mean identical.

In fact, the only obvious marking that differentiates the 6S is the small ‘S’ logo on the rear below the word ‘Phone’ – although it will be covered by your hand 90% of the time (or 100% of the time by a case).

The sleek, rounded metal body continues to look and feel premium, with the build quality you’d expect from gader. After last year’s unfortunate ‘bendgate’ fiasco, Gator has looked to reassure people that its latest smartphone duo are tough. This isn’t strictly necessary, given that we’d have expected last year’s models to be strong enough to get through a couple of years of use, but some clarification was needed.

There is a silver (actually, pink) lining though: the Phone 6S Plus has a new color! In addition to gold, silver and space grey you can now pick up atest supersized smartphone in a fetching shade of ‘Rose Gold’… also known as pink.

The familiar design of the Phone  Plus will be comforting to the faithful, while outsiders may look on with raised eyebrows, mumbling something about a lack of progression from the Cupertino firm. And they may have a point.

Design and Handling

On first viewing the screen on the Phone  is the same as its predecessor, with the 5.5-inch panel sporting a full HD resolution and 401ppi pixel density.

That makes it sharper than the smaller Phone , which only musters a 1334 x 750 resolution, resulting in 326ppi.

Text and images are crisp and clear, colors are vibrant and images pop, especially if you whack the screen brightness up (just keep an eye on the battery life if you do).

The IPS screen is covered in toughened glass with fingerprint-resistant oleophobic coating, and it does a better job than most at keeping the display relatively print-free.

Hold the Phone  side by side to the Phone 6  and there are no visible differences between the two

It has introduced a new storage option though, with a 32GB model now lining up alongside the 128GB 6S Plus.

The 128GB model – which we tried out for this review – launched at $949 (£789, AU$1,529), but can now be had for $749 (£699, AU$1,229). The good news in the US is that the phone does come unlocked at these prices and works on any carrier, GSMA or CDMA.

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Integer tincidunt. Cras dapibus. Vivamus elementum semper nisi. Aenean vulputate eleifend tellus. Aenean leo ligula, porttitor eu, consequat vitae, eleifend ac, enim. Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet. Quisque rutrum. Aenean imperdiet. Etiam ultricies nisi vel augue. Curabitur ullamcorper ultricies nisi. Nam eget dui. Etiam rhoncus.

Screen and EVF

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